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	<title>The Caribbean Review of Books &#187; footnotes</title>
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	<itunes:summary>Bimonthly review of Caribbean literature and art</itunes:summary>
	<itunes:author>The Caribbean Review of Books</itunes:author>
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		<title>The Caribbean Review of Books &#187; footnotes</title>
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		<title>Footnotes: Black Sand, by Edward Baugh</title>
		<link>http://caribbeanreviewofbooks.com/2013/11/20/footnotes-black-sand-by-edward-baugh/</link>
		<comments>http://caribbeanreviewofbooks.com/2013/11/20/footnotes-black-sand-by-edward-baugh/#comments</comments>
		<pubDate>Wed, 20 Nov 2013 23:44:01 +0000</pubDate>
		<dc:creator>Nicholas Laughlin</dc:creator>
				<category><![CDATA[Antilles]]></category>
		<category><![CDATA[Footnotes]]></category>
		<category><![CDATA[derek walcott]]></category>
		<category><![CDATA[edward baugh]]></category>
		<category><![CDATA[footnotes]]></category>
		<category><![CDATA[ishion hutchinson]]></category>
		<category><![CDATA[poetry]]></category>

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		<description><![CDATA[“Footnotes” is a series of occasional blog posts giving further information about books reviewed in the CRB The November 2013 CRB includes a review by Ishion Hutchinson of Edward Baugh’s Black Sand: New and Selected Poems. “Baugh’s brand of poetry,” writes Hutchinson, “has given the quotidian Caribbean experience, and often the unexamined Caribbean life, an [...]]]></description>
			<content:encoded><![CDATA[<p></p><p><span style="color: #888888;"><em>“Footnotes” is a series of occasional blog posts giving further information about books reviewed in the </em>CRB</span></p>
<p><a href="http://caribbeanreviewofbooks.com/wp-content/uploads/2013/11/baugh-black-sand.jpg"><img class="alignleft size-full wp-image-4559" title="baugh black sand" src="http://caribbeanreviewofbooks.com/wp-content/uploads/2013/11/baugh-black-sand.jpg" alt="Black Sand, by Edward Baugh" width="220" height="331" /></a>The November 2013 <em>CRB</em> includes <a href="http://caribbeanreviewofbooks.com/crb-archive/30-november-2013/the-spirits-approve/">a review by Ishion Hutchinson of Edward Baugh’s <em>Black Sand: New and Selected Poems</em></a>. “Baugh’s brand of poetry,” writes Hutchinson, “has given the quotidian Caribbean experience, and often the unexamined Caribbean life, an exhilarating poetic presence.”</p>
<p>Emeritus professor of the University of the West Indies, <a href="http://en.wikipedia.org/wiki/Edward_Baugh">Baugh</a> is a leading authority on the work of <a title="Derek Walcott (born 1930)" href="http://caribbeanreviewofbooks.com/subject/derek-walcott/">Derek Walcott</a> — and one of the best readers of Walcott’s poems your Antilles blogger has ever heard. He published the first book-length study of Walcott (<em>Derek Walcott: Memory as Vision</em>, 1978), edited <a href="http://caribbeanreviewofbooks.com/crb-archive/12-may-2007/a-view-of-ones-own/">the St Lucian Nobel laureate’s 2007 <em>Selected Poems</em></a>, and has written copiously on Walcott’s poetry and his influence on Caribbean literature.</p>
<p>Baugh spent much of his career at UWI’s Mona campus, where — with colleagues like Kenneth Ramchand and Mervyn Morris — he helped lay the foundations for serious scholarly consideration of West Indian literature. In particular, Baugh’s 1977 essay “The West Indian Writer and His Quarrel with History” has been recognised by a subsequent generation of scholars as a seminal contribution to Caribbean literary criticism.</p>
<p>At UWI-Mona, Baugh also served as the campus’s public orator. His addresses delivered in this role, detailing the achievements of the university’s honorary graduands, are collected in <em>Chancellor, I Present …</em> (1998), which you can read in part at <a href="http://books.google.tt/books?id=zRl_NB2CmQ0C&amp;lpg=PP10&amp;ots=lovs3zYvCv&amp;dq=chancellor%20present%20%22edward%20baugh%22&amp;pg=PP1#v=onepage&amp;q=chancellor%20present%20%22edward%20baugh%22&amp;f=false">Google Books</a>.</p>
<p>As Hutchinson notes in his review, though Baugh has been writing poems for five decades, he has not been the most prolific of poets. Nonetheless, “Baugh has patiently created an important <em>oeuvre</em> that is indelible.” His previous books of poems, <em>A Tale from the Rainforest</em> (1988) and <em>It Was the Singing</em> (2000), share with <em>Black Sand</em> the quality Hutchinson describes as “the fluid way in which he moves beyond expression into comprehension, articulating with superb intimacy those echolocations outside of the verbal framework.”</p>
<p>Baugh is also a longtime <em>CRB</em> contributor — for example, reviewing Walcott’s book <a href="http://caribbeanreviewofbooks.com/crb-archive/3-february-2005/homecoming/"><em>The Prodigal</em></a>, Lorna Goodison’s <a href="http://caribbeanreviewofbooks.com/crb-archive/7-february-2006/making-life/"><em>Controlling the Silver</em></a>, and more recently Vahni Capildeo’s <a href="http://caribbeanreviewofbooks.com/crb-archive/25-january-2011/into-the-deep/"><em>Undraining Sea</em></a>. The <em>CRB</em> archive also includes <a href="http://caribbeanreviewofbooks.com/crb-archive/16-may-2008/in-praise-of-colly/">an essay by Baugh on Frank Collymore</a>, excerpted from his biography of the late Barbadian writer and editor (which was in turn <a href="http://caribbeanreviewofbooks.com/crb-archive/22-july-2010/the-godfather/">reviewed</a> in the <em>CRB</em> by John Gilmore).</p>
<p>“For most of my life,” Baugh said in <a href="http://www.caribbean-beat.com/issue-81/edward-baugh-%E2%80%9Chey-you-might-be-poet%E2%80%9D">a 2006 <em>Caribbean Beat</em> interview</a>, “people knew me simply as a critic. I was writing poems, getting the odd poem published here and there, but here and abroad, except for a few people who were into poetry, people knew me as a critic.</p>
<p>“I always used to say, half in jest, but only half, that the thing I would most have liked to be in the world is a poet. So the fact that sometimes now people refer to me as poet first is a kind of great thrill to me.”</p>
<p><em><a href="http://www.poetryarchive.org/poetryarchive/singlePoet.do?poetId=14978">Listen to Edward Baugh reading several of his poems at The Poetry Archive.</a></em></p>
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